However, in Fang Siyi’s interpretation, it is necessary to break the prejudice if he wants to make a film that has been remake many times to make a new idea in the present era.
In fact, the classic of The Condor is not only the country and the sky in the play, but also the so-called chivalrous people.
Fang Siyi seems to be really tempted by the group image.
Who says Guo Jing and Huang Rong are the absolute protagonists?
Can a tragic character like Yang Kang play the leading role?
Chapter 56 "The Condor" (3)
Yang Kang is bad.
From the point of view of the play, he betrayed his country for honor and recognized his father as a thief, and he was a real villain.
But Fang Siyi seems that a person, especially a man, is the biggest unfilial if he really abandons his adoptive father who has raised him for more than ten years!
If a person recognizes that he is a foreigner from birth, then he won’t know that he is from China until he is 10 years old. Will he immediately recognize that he is from China?
This is absolutely impossible.
In the same way, when a person has been raised by a couple for more than ten years, when he grows up, he suddenly learns that he is not a husband and wife child but another child. Will he immediately recognize the father?
Obviously impossible.
This is not because Master Jin was to blame for his mistakes in writing that Yang Kang was not the hero’s life.
Although it is a two-man main line, it doesn’t mean that Fang Siyi is going to wash white.
It’s not fake to recognize the thief’s father, nor is it fake to betray the country and seek glory
However, some processes can be added appropriately.
For example, why did Yang Kang gradually move from the beginning to the end?
This is what Fang Siyi wants to do to interpret the classics differently.
It is not terrible to interpret the classics. What is terrible is that when an idea forms an inherent image in people’s cognition, then future generations will make a new interpretation.
The only thing we can do is to drown the classics in the historical trend.
Fang Siyi dare not say that his interpretation is excellent, but at least he dares to take this step.
Let future generations evaluate all merits and demerits.
And Hua Zheng is Guo Xiang Sophie, a small eastern evil who played in Yu Ma’s "The Condor Heroes".
On the one hand, I chose this sister because she is a child star like Leo, and she is also a veteran performer for many years …
Well, none of that matters
The important thing is …
This girl’s fan name is fire bug.
Yes, there is a word difference between Yingbao’s fan name and Yinghuochong.
Full of ideas and easy-going bad tastes
Let’s not talk about it when he is really seven. Ji is an actor who is not well-known in the circle but has good acting skills.
The five wonders are played by Zhao Lixin as Hong Qigong Miao Qiaowei, that is, 3 Yang Kang as the East Evil.
Black Ouyang Feng, Lu Niangwei, Yi Deng and HanDong Wang Zhongyang.
In Zhou Botong, Fang Siyi chose a handsome uncle instead of the classic fat and short style.
Nie yuan
What to choose Nie Yuan?
Fang Siyi also has his own considerations.
Who hasn’t seen Princess kingdom of dali?
Even if Yi Deng did give her the cold shoulder at that time, if Zhou Botong was not special and handsome enough, at first glance, it was Shuai Shuai. Do you expect others to have in-depth exchanges?
What are you thinking?
Do you think it is a third-rate dog blood idol drama?
The actor played by Zhou Botong must need a certain handsome value
But also to be able to control this crazy role.
Fang Siyi wants to find Wu Xiubo.
However, it is a pity that Wu Xiubo, the leading actor of Sima Yi, declined Fang Siyi’s invitation in February next year.
Fang Siyi didn’t insist. After all, a supporting role does not deserve this handsome uncle’s coffee place.
Yu Taki is a small role or a supporting role with little pen and ink.
Nature also has no meaning.
In fact, at the beginning, Fang Siyi originally planned to let Sophie play the female No.2 Mu Nianci. After all, Sophie is more suitable for this role than Biba in terms of acting and all aspects.
However, Sophie has already received the notice of "Cyclone Girl" before, and it is already very good to be able to play a supporting role when she is squeezed out. The heroine seems to be a bit out of time.
In the end, Fang Siyi can also choose Reba.
It’s not that Reba can’t work, but it’s still the same sentence. The players in Mu Nianci in the past dynasties are all the kind of women with feminine beauty and heroic spirit in the south of the Yangtze River. After all, Reba’s face is a bit too three-dimensional
This little fox once complained to Fang Siyi.
After all, Reba is his own flag artist, how can he let his own flag artist pick up unwanted roles from others?
Fang Siyi can also appease this. Whether Reba can figure it out will worry Fox.
Fang Siyi did do something unkind, but …
Who makes Reba Yan value determines that it is difficult for her to appear in some serious dramas.
To tell the truth with J, Fang Siyi is optimistic about the Zhang Hanxin Gulnazar.
My little girl’s face value is very three-dimensional, but it doesn’t give people the feeling that she is very aggressive. Playing the role of rebellious girls or strong women with strong gas field should still be victorious.
Of course, it is also natural to play costume dramas because of national talent.
China is different from other countries. The most important type of film and television drama is costume drama.
This can be done even if it is close to Japan and South Korea.
Just as the real national skill is that the law is copied by others.
Although Japan and South Korea have made several costume dramas in recent years, it is a pity that even Chinese audiences don’t like to watch the waves.
But unfortunately, with the arrival of the big IP era, costume dramas have gradually become the so-called heroine dramas or Xianxia and fantasy dramas.
It also gave birth to several spicy eyes
The natural popularity is also declining.
To tell the truth, Fang Siyi doesn’t recognize the decline of costume dramas. The only difference is that nowadays the circles are too impetuous to make quick money and hot money.
Compared with the need for elaborate and patient drama, modern drama and costume drama have inexplicably become the decline of all kinds of shoddy treatment in the hardest hit areas.
Costume dramas are very expensive.
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